QUOTE(wtf? @ Aug 30 2006, 05:12 PM)

ahhh sweet. meand my mate were therefrom about 1!lol we got there autographs and pictures with all the band! i porbs did see u in the press pit cz i was right at the front. o and btw what were u doing there??!!lol
you met them and got autos?! great! if you got there at 1pm and waited - you deserved it!

please post your pics when you get a chance.

here's a really nice show review...
http://feed.insnews.org/v-cgi/feeds.cgi?fe...tory_id=2110082Swing With the Vines' Mature Vibe ; Aussie Band Are Better for Their BreakAug 30, 06:38 PM
By STEPHEN MARR
The Forum, NW1 .....
MUSIC The Vines
THE original members of Australian garage band The Vines met each other in the mid-Nineties, while working at their local McDonald's. They released the album Highly Evolved in 2002 to critical acclaim, and embarked on both an international tour and a heroic ingestion of drugs.
The next album, Winning Days (2004), received a lukewarm reception from critics and fans, and the wheels came off. Members started jumping ship or quitting amid internal tensions, and frontman Craig Nicholls was behaving more and more erratically (even more so than your average self-indulgent rockstar).
When it was revealed last year that he suffers from Asperger's Syndrome - a form of autism - any prospect of The Vines being able to undertake a major tour ever again simply evaporated.
Indeed, it seemed for all the world as if the guys would have to dust off their old uniforms and brush up on their burger-flipping skills.
And yet here they were on stage last night at The Forum - as if nothing had happened - with an album to promote-Considering their mercurial history-The Vines deserve a favourable review just for turning up.
Of course, had they not bothered to show, I would have been satisfied with a longer set from support act The View.
Jumping and spinning around the stage, these energetic Scotsmen possess a raw and mesmerising talent that we will all be familiar with soon.
If they had a fault (and I would say it's a delightful bonus), it's in their impenetrable between-song banter.
The bassist introduced the band as "Oats monk rubbery Scotland", later lamenting "This fallen Gielgud is like a meatloaf waistband", before signing off with "Fit geese cheer the woman outrage"... or at least I think that's what he said.
The Vines, in contrast, were easily understood. It seems the best thing about being an Australian band is that you can unashamedly plunder the ideas of others.
Just as fellow Antipodeans Wolfmother are providing a thick slice of Led Zeppelin for young fans who were but a glint in their parents' eyes during the Seventies, The Vines have no qualms about mimicking Nirvana, The Stooges, Pixies, Neil Young, Pink Floyd and any Britpop band you'd care to mention.
Somehow, though, they manage to make these sounds their own. Nicholls' vocals show no signs of breaking down - both snarly and vulnerable at the drop of a hat - and the guitars show no signs of turning down.
New songs such as Don't Listen To The Radio sit well with well- worn hits including TV Pro and Autumn Shade - proving that the band does have a future if they play their cards right - and the band members actually appear to be enjoying themselves.
And anyone who might have hoped for a vintage Nicholls outburst last night would have been sadly disappointed.
The Vines are back, and have matured with age.